驽骍难得
Blood is on the Square
食莲花的 发表于 2009-06-04 09:52:09
by Phillip Morgan
A song was heard in China
in the city of Beijing.
In the spring of 1989
you could hear the people sing.
And it was the song of freedom
that was ringing in the square,
the world could feel the passion of
the people gathered there.
Oh children, blood is on the square.
For many nights and many days,
waiting in the square.
“To build a better nation”
was the song that echoed there.
“For we are China’s children,
we love our native land,
for brotherhood and freedom
we are joining hand in hand.”
Oh children, blood is on the square.
Then came the People’s army
with trucks and tanks and guns.
The government was frightened
of their daughters and their sons.
But in the square was courage and
a vision true and fair,
the Army of the People would not harm
the young ones there.
Oh children, blood is on the square.
On June the 3rd in China,
in the spring of ‘89,
an order came from high above
and passed on down the line.
The soldiers opened fire,
young people bled and died,
the blood of thousands on the square
that lies can never hide.
Oh children, blood is on the square.
For four more days of fury
the people faced the guns.
How many thousands slaughtered
when their grisly work was done?
they quickly burned the bodies
to hide their coward’s shame,
but blood is thick upon their hands and
darkness on their names.
Oh children, blood is on the square.
There are tears that flow in China
for her children that are gone.
There is fear and there is hiding,
for the killing still goes on.
And the iron hand of terror can
buy silence for today,
but the blood that lies upon the square
cannot be washed away.
Oh children, blood is on the square.
送年
食莲花的 发表于 2008-12-31 17:18:05
这会儿二教407正在上《史记》研究的最后一课,我没有去。刚才破碗发来她的年终总结七律,我才想起来,又是阳历除夕了。
似乎可以写点什么。可是文字从来不是通向内心的坦途。它挂一漏万,避重就轻。被写下的斩钉截铁,被遮蔽的万劫不复。而且,也并不是写出来了,就和算过去交割完毕。我不愿意写,我甚至不愿意去“想”——人总得给自己的历史一个说得过去的解释,“想”是辩解、是指认、是编造,“想”创造神话。至少就理性贫弱的我而言,反思是如此的靠不住。
破碗有一句话说得很是,很多事不应该现在就当作结果来看待。也许对生活中种种暗涌的可能性,抱着不主动、不拒绝的态度,会比较自然吧。当然,不要指望“不负责”。换句话说,勿忘勿助,或者再换句话说,就是正心诚意的领受自己的命运吧,“不仅要忍受必然性,而且要爱它。”
虽然不打算再仔细去写,然而这一年里我走过的地方,比如南监的古籍部、文科楼,比如初夏的蒋山、甘家巷,比如八月底的杭州,和秋天里的高石墓,还有在这路上遇到的人,我不敢忘记。我从不自信,你们给予的友爱,我未尝视作理所当然。这一年最美好的际遇,也许就是发现我恋慕的人们,也在喜欢我。
新年快乐,愿你们都平安。
胡思乱想集:画像砖及其他
食莲的 发表于 2008-11-04 23:01:12
有种种(也许是经过或多或少庸俗化的)天堂故事。比如一位高中同学的父亲,是科学家和基督徒,他告诉我死后的岁月比活着的时候过得更快,在死人们看来,与亲人重逢不用等太久。现在七年过去了,对他来说,也许只是一瞬。
问题就来了,等有一天大家全上了天堂,该以怎样的面目与故人相见呢?用一个例子来说明,比如王引之在天上重逢的父亲是个五六十岁的成熟学者,这是否意味着王念孙要以五六十岁的老朽之躯再见他的妻房?我觉得这个故事和画像砖有类似的倾向,用一个侧面、一个灵魂,来代替一个人的全部历史。
不知道神学会不会讨论如此形而下的技术问题,但既然针尖上的天使都有人讨论,还是希望相关同学有以教我。
扯了这些,也许我想说的就是,历时地产生的种种关系与情感,不能在共时的层面全部再现,或曰重逢,相爱过的人们重聚一堂,是不可能的。人不是一块画像砖,既不“画像砖”,也不“一块”。《至乐》里的庄子不是《大劈棺》里的庄子。做姐姐的我不是做女儿的我,哪怕十岁的女儿和二十岁的女儿,也是不一样的。祥林嫂捐门槛,是基于这样的理论预设,即夫妻是人世间最重大的关系,是确定鬼魂归属地的唯一标准。如果不接受这个预设,而认为还有其他同等重要的关系,比如父子师生兄弟等等等等,不知她要捐几条门槛才够?
苏轼那首《江城子》我囫囵吞枣地背了,却没有细想,纵使相逢应不识,是谁尘满面鬓如霜?死人不会变,活人却永远变动不居。我不会永远做一个剥莲蓬的无赖小儿,总有一天从叨陪鲤对走向彩衣承欢。好在血缘的法则让我们同行,或快或慢,却不会有人退出。
但是世间更多的关系,并没有这种强大的保证。
